By Marc Alexander from his ‘Touch’ exhibition. ‘Chess Player’, Archival Paper Print, 300g Hahnemuhle Paper, 6cm by 8.5cm. Framed.
A strategy game that consists of setting and achieving long-term positioning advantages during the game – for example, where to place different pieces – while tactics concentrate on immediate maneuver. These two aspects of the gameplay cannot be completely separated, because strategic goals are mostly achieved through tactics, while the tactical opportunities are based on the previous strategy of play. A game of chess is normally divided into three phases: the opening, typically the first 10 moves, when players move their pieces to useful positions for the coming battle; the middlegame; and last the endgame, when most of the pieces are gone, kings typically take a more active part in the struggle, and pawn promotion is often decisive.
After a long season of producing portraits in oils, I returned for a while to the humble pencil. The ‘Touch’ exhibition, which opened at the Studio Gallery Kalk Bay on Friday June 14th 2013 and ran until July 3rd, was the result of that experience – a true celebration of the beauty and expressiveness of the human hand.
Several months before this show, a group of us artists got together in the studio to work on life drawings, and for me, hands are one of the most difficult parts of the human body to draw, so I decided to master this challenge by producing one hundred detailed drawings. Friends, family and even casual acquaintances, modeled their hands for me and in each drawing I tried to capture the unique character of each individual.
A great deal could be learned about a person just by observing their hands. For example, the slight hand gestures of a person in love, or the anxious mannerisms of the addicted smoker clutching his last cigarette, or the telltale scars and callouses which belong to a hard working laborer. The hands are young and old, lined and smooth and endlessly expressive and tell a hundred stories which are all captured in my hyper-realistic style.
Many of Marc’s artworks are available as fine art digital prints. Professionally photographed and printed on large format inkjet printers, these prints are limited edition numbered bottom left and signed bottom right. The paper used is 320g Hahnemuhle archival watercolour paper. The process employs fade resistant, archival inks, which boast a 100+ year fade-proof guarantee.
The paper prints are sold plastic wrapped on an acid-free foamcore backing board. These prints are also available in varying sizes of canvas.