Description
Praying Hands
By Marc Alexander from his ‘Touch’ exhibition. ‘Praying Hands’, Pencil on 300g Archival Paper, 10cm by 14cm, (2013).
Praying Hands
the central panel of the triptych installed in Frankfurt entitled the Heller Altarpiece – destroyed by a fire in 1729. The sketched hands appear on the triptych on the right side of the central panel, and although the detail appears very similar, it is smaller in size in the triptych.
The drawing also once contained a sketch of the apostle’s head, but the sheet with the head has been separated from it. Overall, Dürer made 18 sketches for the altarpiece. The first public recognition of the artwork was in 1871 when it was exhibited in Vienna, and the image is said to depict the hands of Dürer’s brother, one of eighteen siblings.
This image is my version of this very common subject and I muddled it on my own hands.
Touch Series
After a long season of producing portraits in oils, I returned for a while to the humble pencil. The ‘Touch’ exhibition, which opened at the Studio Gallery Kalk Bay on Friday June 14th 2013 and ran until July 3rd, was the result of that experience – a true celebration of the beauty and expressiveness of the human hand.
Several months before this show, a group of us artists got together in the studio to work on life drawings, and for me, hands are one of the most difficult parts of the human body to draw, so I decided to master this challenge by producing one hundred detailed drawings. Friends, family and even casual acquaintances, modeled their hands for me and in each drawing I tried to capture the unique character of each individual.
A great deal could be learned about a person just by observing their hands. For example, the slight hand gestures of a person in love, or the anxious mannerisms of the addicted smoker clutching his last cigarette, or the telltale scars and callouses which belong to a hard working laborer. The hands are young and old, lined and smooth and endlessly expressive and tell a hundred stories which are all captured in my hyper-realistic style.
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