Description
Snow Leopard II
By Marc Alexander from his ‘In The Balance‘ series. Snow Leopard II, oil and on canvas, 120cm by 200cm, (2016).
Snow Leopard II
The White Lion of the Timbavati area is the same genus as the tawny Southeast African lion. These lions are found in some wildlife reserves in South Africa, and in wild game parks around the world. They were thought to have been native to the Timbavati region of South Africa for thousands of years, although, the first logged sighting in this region was only in 1938. Held as divine by locals, white lions first came to public notice in the 1970s, in Chris McBride’s book The White Lions of Timbavati.
Furthermore, their white color is caused by an ebbing trait derived from a less-severe mutation in the same gene that causes albinism. This gene is distinct from the gene that causes whiteness in tigers. The white lion can vary from blonde to near-white. This coloration does not appear to weaken their survival skills. The white lions of the Global White Lion Protection Trust (GWLPT) have been restored back into the wild. They have been hunting and breeding well without human intervention for a long amount of time.
To paint this majestic animal I used the traditional Grisaille technique. I plan to produce at least 12 paintings of wild cats at this size and composition.
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Archival Prints
Many of Marc’s artworks are available as fine art digital prints. Professionally photographed and printed on large format inkjet printers, these prints are limited edition numbered bottom left and signed bottom right. The paper used is 320g Hahnemuhle archival watercolour paper or Van Gogh cotton canvas. The process employs fade resistant, archival inks, which boast a 100+ year fade-proof guarantee.
These prints are also available in varying sizes. The paper prints are sold plastic wrapped on an acid-free foamcore backing board. The prints on canvas can be provided stretched or rolled in a core for easy transporting. The canvas print is treated with a high quality scratch resistant matt art-sealant. Directly behind the stretched canvas print is a fixed board which gives the frame rigidity, prevents warping and ensures the frame hangs flush against the wall. Large frames are cross braced to further prevent warping.
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